"I grew up in New York, I love gray. But then I moved to California and fell in love with blue."
Amina Henry is the former Literary Associate for the Civilians. As a playwright, her work has been produced and/or developed by: Clubbed Thumb, HERE Arts Center, the Flea, the Cell: a 21st Century Salon, Dixon Place, Theater for the New City, the Brick, Drama of Works, Oregon Shakespeare Festival, Kitchen Dog Theater, Brooklyn College, Texas State University, among others. She is currently an adjunct lecturer at Brooklyn College, as well as a teaching artist for the Shakespeare Society and the Teachers & Writers Collaborative. She is a graduate of Yale University, NYU's Performance Studies MA program and the MFA Playwriting program at Brooklyn College.
Amina Henry's articles
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Environmental literary critic Anthony Lioi unpacks the work of environmentalist media and artists who grapple with global climate change.
"Years ago as an audience member, I was the one shushing people if they made what I considered too much noise. I worried about what I wore and glared at people who texted during shows. Now I go to the theater and all I can see is what an inhospitable environment we have created." - Larissa FastHorse
“We never felt like 'professional' professional artists.” German theater collective Turbo Pascal aggressively creates free and public art in a country where the state-run theater monopolizes professional opportunities.
In his new musical “The Universe is a Small Hat,” writer/director César Alvarez invites audiences to build a society on a techno-utopian space colony.
In part-two of our "London Road" series, composer Michael Friedman interviews Tony-winner Adam Cork about his score for the verbatim film musical, which he wrote with Alecky Blythe and stars Tom Hardy.