Playwright Jason Grote on “BASETRACK Live,” a multimedia theater piece born from photojournalism that news outlets wouldn't touch.
Elliot B. Quick is a dramaturg, writer, producer and teacher based in Brooklyn. He received an MFA in Dramaturgy and Dramatic Criticism from the Yale School of Drama, where he was the Resident Dramaturg and Associate Artistic Director for the 2011 Yale Summer Cabaret Shakespeare Festival and the Associate Artistic Director for the Yale Cabaret's 43rd Season. Elliot has previously served as a Literary Associate for Playwrights Horizons, Yale Rep and Page 73. He works regularly as a freelance dramaturg, teaches Theater History at the Maggie Flanigan Studio, and is a founding member of the inter-disciplinary performance ensemble Piehole. He is the former Editorial Associate at the Civilians.
Elliot B. Quick's articles
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Environmental literary critic Anthony Lioi unpacks the work of environmentalist media and artists who grapple with global climate change.
"Years ago as an audience member, I was the one shushing people if they made what I considered too much noise. I worried about what I wore and glared at people who texted during shows. Now I go to the theater and all I can see is what an inhospitable environment we have created." - Larissa FastHorse
“We never felt like 'professional' professional artists.” German theater collective Turbo Pascal aggressively creates free and public art in a country where the state-run theater monopolizes professional opportunities.
In his new musical “The Universe is a Small Hat,” writer/director César Alvarez invites audiences to build a society on a techno-utopian space colony.
In part-two of our "London Road" series, composer Michael Friedman interviews Tony-winner Adam Cork about his score for the verbatim film musical, which he wrote with Alecky Blythe and stars Tom Hardy.