With this production, I’m venturing into new, fertile territory. Immersive & its close cousin Interactive theater has tremendous potential. In the case of "J & K 1965" it has the potential to give audiences an up-close look at drug addiction.
Alex Hare, director and co-conceiver of "Chains Don't Rattle Themselves," explores stories by formerly incarcerated writers and affected family members.
London's National Theatre and the National Film Board of Canada helped facilitate Jordan Tannahill's virtual reality story "Draw Me Close," which debuted at Tribeca Film Festival's Storyscapes.
"That is my mission as an artist—is to create this accessible, inclusive theater for all. " -- Sara Morgulis
"Years ago as an audience member, I was the one shushing people if they made what I considered too much noise. I worried about what I wore and glared at people who texted during shows. Now I go to the theater and all I can see is what an inhospitable environment we have created." - Larissa FastHorse
Axis Ballymun is a cultural organization serving the regenerated community of Ballymun in North Dublin. Axis Program Manager Niamh Ní Chonchubhair recently gave Extended Play a tour of their facilities.
In part-two of our "London Road" series, composer Michael Friedman interviews Tony-winner Adam Cork about his score for the verbatim film musical, which he wrote with Alecky Blythe and stars Tom Hardy.
The verbatim film musical "London Road" premieres this month in the United States. Extended Play's Tommy O'Malley spoke to Alecky Blythe, who wrote both the film and the stage play on which it is based.