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Over the next several weeks, members of our 2019-20 R&D Group will take us behind-the-scenes of their projects in development. Today, Crystal Skillman and Gaby Alter share about "This Show Is Money." It will receive a work-in-progress showing on June 15.
We trust each other
every day with what we can’t see.
But when that trust
is threatened or broken, internal and external conflicts erupt between friends,
family, and whole civilizations.
Trouble is, whether we hold it on our hands or transfer that trust now digitally, that thing … doesn’t actually exist. Or it didn’t until we made it up.
What is this powerful, mythical thing?
You saw that coming, didn’t you? After all, that is the title of our show show. And of course the show itself will need money at some point to be put on and seen, by you, the reader, the audience, who is just as affected by this “imaginary” concept that affects your life every day. Even images of money seems to worship this fictional idea we have all grown accustomed too every day — it surrounds us globally — in art, song, T-shirts …
But why? And how did money get created? And what effect has trusting in the all mighty dollar done?
Prologue
“Two Ensemble Members enter, nod ‘Good Morning’ to each other, and acknowledge the audience. It’s another day, another beginning.
But then they suddenly open their hands. They are empty. But one ‘sees’ something in her hand. She plucks this thing in the shape of a coin from her hands. Looks and examines it. It’s clearly precious and to be handled with care.
One by one, they pass it to each other. So clearly, so concisely that we begin to see it.”
This Show is Money is a theatrical event that, through text and song, investigates with an audience how and why we place our trust in something that is itself actually fictional. Why and how we are caught in this system, and how it affects us in ways we can see and can’t see. The show unpacks larger concepts of how money works as well (a la The Big Short), and includes timely examinations of WeWork, and the current state of our economy, currently under enormous strain.
Our first interviews have dealt with those who deal, or write about, money itself and its systems: a financial journalist who has gone after big business, a professor who chronicled the history of banking dominated by men in the twentieth century, a writer whose recent non-fiction novel followed “dark money” used by the religious right in the 2016 election, and those on the ground for Occupy Wall Street.
Our second round of interviews is now exploring the idea of the 1 percent. Ultimately, we are looking to see how those interviews and emotions speak to one another. Even as we sit in the theater, the economy itself seems to be a ticking clock for the show, adding urgency to these scenes unfolding before us.
As we dove further into our writing, we found that a musical number about the history of money was necessary.
Gaby Alter (Music/Lyrics) has shared the song which you can listen to as a sneak peek — lyrics below.
ENSEMBLE
I BELIEVE
Promise me…
I’ll promise
you…
Promise me…
I promise,
promise
Trust in me
I’ll trust in
you
Trust in me
I promise,
promise
In 9000 BC we
used to barter
It was all
concrete, there was nothing abstract
I took the
surplus goods in my larder
And traded them
for the ones that I lacked
But as societies
grew ever more complicated
Job specialization
made it hard to agree
On the exchange
value of our goods, so then we traded
Things that
everyone needed, like grain, cattle and tea.
But these were
hard to transport–
Hey, these cows
are heavy!
And there were
problems with storage:
Grains easily
spoil!
So people
started using things like cowrie shells
And later on
useless metals that they found in the soil
And we were
like, a-ha, these are lightweight and durable
Plus they’re
insurable by the emperor’s seal
So though it’s
true that these things are just arbitrary
& their
value is imaginary, we’ll make it real
‘Cause I
believe, I believe
And you believe,
you believe
And we put our
trust in the emperor
If you believe,
I believe
Then we agree,
we agree
And we can put
our trust in a stranger
Now there was
cooperation
Across borders
and nations
Between Greeks
and Thracians
With no
hesitation
‘Cause no matter
what your diety
Or your country
of birth
Everybody could
agree on what these coins were worth
And they
converted anything into anything else
Like apples into
cattle, like shoes into wine
Because of this
system
Everybody could
trust in
You could get
what you wanted and you could get it on time
‘Cause I
believe, I believe
And you believe,
you believe
Then we make
this dream a reality
If you believe,
I believe
Then we agree,
we agree
No matter our
God or nationality
If the bank
loans me a dollar
For my business
It’s because
they believe in my future profits
Though the
dollars I will make do not yet exist
They believe,
and I believe
We believe in
the future
My profits will
increase
If my profits
increase
Everybody gets a
piece
‘Cause I
reinvest my profits
And my staff
gets bigger
And as my
business gets bigger
Everybody’s
piece is bigger
The economy
keeps growing and growing
And there’s no
slowin’ down
We reinvest the
profits
Benefits go
flowin’ down
From top to
bottom
Everybody’s got
’em, holy cow-rie
Isn’t that how
it works? Just look around you, now!
‘Cause I believe
I believe
And you believe,
you believe
And so we put
our trust in the future
What’s up ahead,
we don’t dread it
We create lines
of credit
And we reinvest
in the future
Overseas
colonies
New technologies
And the cycle
never ceases
We all get
bigger pieces
Slowin’ down, we
will never, we’ll keep growin’ forever!
We’ll keep goin’
forever!
We’ll keep
growin’ forever!
We’ll keep goin’
forever!
We’ll keep
growin’ forever!
Isn’t that how
it works?
Just look around
you now!
Just look around
you now!
Just look around
you now!
Just look around
you now!
As we continue to develop the show, you can see some of what we’re working on in the R&D Findings Series on June 15th at 8pm. You can RSVP here.
R&D Group Members Brandy Hoang Collier, Clare Fuyuko Bierman, and Erika Ji answer questions about theater, storytelling, and the creative process behind their new musical, YOKO'S HUSBAND'S KILLER'S JAPANESE WIFE, GLORIA, which will be presented in the FINDINGS Series on June 16th.
R&D Group member Julia Izumi outlines the timeline of the Great Chicago Fire ahead of her new play, A RE-ENACTMENT OF THE IMAGINED TRIAL OF DAISY THE COW 🐄, WHO ALLEGEDLY CAUSED THE GREAT CHICAGO FIRE, presented in the Findings Series on June 14th.
R&D Group Member Xandra Nur Clark delves into the creation of their play URSA MAJOR, which will be presented in The Civilians' Findings Series this June.
R&D Group member Julia Izumi outlines the timeline of the Great Chicago Fire ahead of her new play, A RE-ENACTMENT OF THE IMAGINED TRIAL OF DAISY THE COW 🐄, WHO ALLEGEDLY CAUSED THE GREAT CHICAGO FIRE, presented in the Findings Series on June 14th.
With the new year, Extended Play is excited to share its new article series, Curated, which will feature recommendations from The Civilians staff for performances, talks, books, articles, and more.