R&D group member and documentarian Ash Marinaccio weaves photos and theory to talk about “2024, Spring,” her newest piece about student resistance on college campuses and what it means to dream up new worlds.
To scholars of queer 90s art, the name Holly Hughes will be a familiar one. Hughes, along with fellow experimental artists Karen Finley, Tim Miller
Joey Sims sits down with mother and son duo physicist Bulbul Chakraborty and playwright Misha Chowdhury to talk about their unique collaboration in RHEOLOGY, now at Bushwick Starr.
As theaters continue to close and relocate, the club emerges as a space of queer dramaturgies and theatrical surprises.
As the ACLU files a lawsuit against the NEA, we are sharing the original February open letter written in protest of discriminatory guidelines.
In 2017, Kirsten Greenidge suggested that the playwrights’ responsibility in challenging times was to remain: present, agile and full of questions. What can her words tell us in these times?
Musician Martha Redbone pushes the boundaries between genre, culture and medium, creating a blend rooted in tradition, yet all her own.
Step into the spacey desert world of Next Forever resident Kate Douglas’s play-in-progress IF I FORGET THEE, O EARTH through an artist created mood board.
What can the attempt of countercultural artists and theatermakers to levitate the Pentagon on October 21, 1967 tell us about political theater?
Francisco Morandi Zerpa, actor and BIPOC Critics Lab writer, explores representations of aging on stage, verbatim theater, and more.
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