Musician Martha Redbone pushes the boundaries between genre, culture and medium, creating a blend rooted in tradition, yet all her own.
Step into the spacey desert world of Next Forever resident Kate Douglas’s play-in-progress IF I FORGET THEE, O EARTH through an artist created mood board.
What can the attempt of countercultural artists and theatermakers to levitate the Pentagon on October 21, 1967 tell us about political theater?
Francisco Morandi Zerpa, actor and BIPOC Critics Lab writer, explores representations of aging on stage, verbatim theater, and more.
Extended Play editor, Faith Zamblé, reflects on “Radio Downtown”‘s continued relevance in an era of digital distortion and AI.
RADIO DOWNTOWN designer, Ryan Gamblin, talks to Extended Play editor Faith Zamblé about sound, simulations and community across time.
Meet the R&D class of 2024-25, as well as the immensely talented group of finalists and semi-finalists, below.
Alison Kopit, Ann Marie Dorr, and Maggie Bridger weave visions of accessible and creative theatrical futures, hinging on a new mode of working called “access dramaturgy.”
In the SEX VARIANTS program note, New Work Program Manager Melissa Hardy outlines the historical context of the play, explaining how the original source material intersects with the world of science–specifically, ideologies rooted in sexology… and eugenics.
In the following interview with historian Michael Waters, we explore the life and times of one of queer history’s forgotten figures: the translator, researcher, dancer, and ethnographer Jan Gay.
Copyright © Extended Play 2014
