Steely Lies the Heart

In 2017, Kirsten Greenidge suggested that the playwrights’ responsibility in challenging times was to remain: present, agile and full of questions. What can her words tell us in these times?

Much Ado About Martha

Musician Martha Redbone pushes the boundaries between genre, culture and medium, creating a blend rooted in tradition, yet all her own.

If I Forget Thee, O Earth: afterimages

Step into the spacey desert world of Next Forever resident Kate Douglas’s play-in-progress IF I FORGET THEE, O EARTH through an artist created mood board.

Introducing Access Dramaturgy

Alison Kopit, Ann Marie Dorr, and Maggie Bridger weave visions of accessible and creative theatrical futures, hinging on a new mode of working called “access dramaturgy.”

SEX VARIANTS: Jan Gay Fan Club

In the following interview with historian Michael Waters, we explore the life and times of one of queer history’s forgotten figures: the translator, researcher, dancer, and ethnographer Jan Gay.

For Whom the Bel Tolls

Genre-crossing actor and artist April Matthis chats with Extended Play about her role in the upcoming piece “Jérôme Bel (2021)” as the celebrated French choreographer.

The Long and Wondrous Life of R&D

Extended Play editor Faith Zamblé charts the winding journey of the Civilians’ R&D group from its inception to current day.

The Auspicious Return of Mr. Burns

“Mr. Burns” is back and more electric than ever! Explore the creation of this piece in advance of its 10th anniversary concert reading at Playwrights Horizons.

Here’s to The Ladies.

This year’s gala highlights the work of playwright Anne Washburn and actress Quincy Tyler Bernstine, two women near and dear to the Civilians’ ethos and oeuvre. In light of this, we are revisiting one of their early collaborations: THE LADIES.

The Civic Turn: Expanding Artistic Collaborations

On the occasion of the publication of their new books, Extended Play advisory board members Aaron Landsman and Jan Cohen-Cruz talked together about one of the themes in their work, the “civic turn” in theater.

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