Extended Play https://validator.w3.org/feed/docs/rss2.html Steely Lies the Heart ARTICLES Home Re-Mixing the Ame”R”ican Dream: Sylvia Bofill on LA ERRE OUT OF THE CAULDRON: Exploring Alternative Possibilities To you, my fellow Eco-Playwrights, I propose a Theatrical Unnaturalism Princess Diaries: Iraisa Ann Reilly on BODEGA PRINCESS Topia: How Does This City Make You Feel? “Riparian States” — On Creating a Play as Long and Deep as The Nile “I” is for Imagination: Jose Solís and the BIPOC Critics Lab Brave New Ecosystem American Dreams, Immigrant Nightmares Seeing in the Dark: An Interview with Jessica Mitrani A War on Christmas Doesn’t Wage Itself Catharsis and Connection: How Human Connection Can Transform Art “Murder” on the Theater Express Announcing The Civilians’ 2025-26 R&D Group, Finalists, and Semi-Finalists Strange Overtones: Considering Michael Friedman’s “Stranger” Revisiting the “Liberated Zone” The Need for Scholarship on Black Queer Theatrical Culture Adapting our Power in COVID Times THE CLUB IS OPEN THE CLIMATE CRISIS IS NOW & other factoids The Medium and the Message Of a Certain Age: Aging and the American Theater Announcing The Civilians’ 2024-25 R&D Group, Finalists, Semi-Finalists Process and New Play Development with the Civilians’ R&D Group A Funny Thing Happened on the Way to the Pentagon Radio Reflections: Downtown Artists Speak Truth to Power Hughes on First: An Interview with Holly Hughes Much Ado About Martha The People vs. The NEA SEX VARIANTS: A Sprinkle of History SEX VARIANTS: Jan Gay Fan Club If I Forget Thee, O Earth: afterimages The Long and Wondrous Life of R&D RHEOLOGY: A Meditation on Mothers and Matter The State of Our Union Notes from a Talkback The Artistic Caucus: How Four Theatres Joined Forces to Disrupt Curatorial Practices Re: Unmaking the World Antigone in the Amazon Choose Your Own “Riparian State” For Whom the Bel Tolls SEX VARIANTS: Fabulating Queer History The Timeline Haunts Me in All Directions Imagined Futures, New Utopias Introducing Access Dramaturgy Loneliness in a Time of Mass Extinction All Applications Go to Heaven