Crime, Part 2

In this episode, we revisit Alix Lambert's play, "Crime, USA." Tony-nominee Maria Dizzia and Matthew Maher perform monologues based on Lambert's interviews with two retired FBI agents.

Ever wonder what it’s like to be in the FBI? This week features performances of interviews with two retired FBI agents, who talk about everything from why they became agents to what it’s like being a woman on the job. Tony-nominee Maria Dizzia and Matthew Maher play the agents in this live episode, which was recorded at Joe’s Pub in NYC. The interviews were originally conducted for Alix Lambert’s play “Crime: USA.”

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  • The Civilians

    The Civilians is a company that creates new theater from creative investigations into the most vital questions of the present. Through a number of artistic programs, the Civilians advances theater as an engine of artistic innovation and strengthens the connections between theater and society. An artist-led company, the Civilians creates and produces new theater and pursues its artistic mission through programs serving artists and the public. The company’s work is grounded in investigative theater, an artistic practice rooted in the process of creative inquiry that brings artists into dynamic engagement with the subject of their work. Artists look outward in pursuit of a question, often engaging with individuals and communities in order to listen, make discoveries, and challenge habitual ways of knowing. The ethos of investigative theater extends into production, inviting audiences to be active participants in the inquiry before, during, and after the performance. Since its founding in 2001, the Obie Award-winning company has supported the creation of 14 original shows, and its work has been produced at many theaters in New York, nationally, and internationally. Last season saw two highly successful shows: "Mr. Burns: a Post-Electric Play" at Playwrights Horizons, which was included in eight Top 10 of 2013 Lists, and "The Great Immensity" at The Public Theater. The Civilians’ work has been published by Dramatists Play Service, Oberon Books, Ghostlight Records and Playscripts, Inc.

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