"At OSF (Oregon Shakespeare Festival), diversity and inclusion are literally our core principles. And I love that, I find it such an expansive place to be." - Julie Felise Dubiner
Julie Felise Dubiner is the Associate Director of American Revolutions: the United States History Cycle. At OSF, Julie has served as dramaturg for "The Wiz," "Sweat," "The Cocoanuts," "The Liquid Plain," and "Party People." At Actors Theatre of Louisville, she collaborated on more than 40 productions and projects in the regular season and the Humana Festival, and co-created "Rock & Roll: The Reunion Tour." In Philadelphia, she was project manager of the musical "The Rosenbach Company" and dramaturg at the Prince Music Theater. In Chicago, Julie freelanced with Defiant Theatre, blue star performance company, Steppenwolf Theatre Company and others. She has been a guest dramaturg at the Kennedy Center and KCACTF, the O’Neill Playwrights Conference, the New Harmony Project and elsewhere. Julie is the co-editor of two anthologies of Humana Festival plays; co-author of 'The Process of Dramaturgy: A Practical Guide;" and a contributor to "The Routledge Companion to Dramaturgy; Innovation in Five Acts: Strategies for Theatre and Performance;" HowlRound; the LMDA Source Book; and is a Kilroys nominator. Julie holds a BA from Tufts University and an MFA from Columbia University.
Julie Felise Dubiner's articles
Sign up for newsletters
Environmental literary critic Anthony Lioi unpacks the work of environmentalist media and artists who grapple with global climate change.
“We never felt like 'professional' professional artists.” German theater collective Turbo Pascal aggressively creates free and public art in a country where the state-run theater monopolizes professional opportunities.
"Years ago as an audience member, I was the one shushing people if they made what I considered too much noise. I worried about what I wore and glared at people who texted during shows. Now I go to the theater and all I can see is what an inhospitable environment we have created." - Larissa FastHorse
In his new musical “The Universe is a Small Hat,” writer/director César Alvarez invites audiences to build a society on a techno-utopian space colony.
Transforming Documentary Film into Live Spectacle: Sam Green on Exploring the Fleeting Nature of Being Alive
“I don’t want to make a piece that bums people out. You can start to sound precious saying stuff like this, but in my mind, human connection and empathy are some of the highest aims of art."